Liturgical Song?

A liturgical song is a song that is integral to the liturgy.

Browse liturgical song titles in the alphabetical index and genres in the genre index. Find songs for particular days by clicking the liturgical index, or browse the navigation bar above.

Three principles help us to choose music for liturgical songs - liturgical holiness, musical beauty and pastoral universality.

Holy?

What is Holy?
Sacred music is considered "the more holy in proportion as it is more closely connected with the liturgical action" (Constitution on Sacred Liturgy, 112). It must be able "to express adequately the mystery grasped in the fullness of the Church's faith" (John Paul II).

Music, including sacred music, is not liturgically holy if it is incompatible with the liturgical action or Church teaching.

Beautiful?

What is Beautiful?
"The criterion that must inspire every composition and performance ... is the beauty that invites prayer." (John Paul II).

Requires sound form, true art, full adherence to the text it presents, synchronization with the time and movement in the Liturgy for which it is intended, appropriately reflecting the gestures proposed by the rite.
(John Paul II).

Universal?

What is Universal?
Three requirements:
1. "must comply with the legitimate demands of adaptation and inculturation"
2.
"must respect specific criteria such as the search for musical expressions which respond to the necessary involvement of the entire assembly in the celebration.
3.
"nobody of any nation may receive an impression other than good on hearing them."
(John Paul II).

How Much Singing?

How Much Singing?
(General Instruction, 40):
The amount of singing should correspond to the degree of solemnity of the occasion, with due consideration for culture and ability of the assembly; "preference should be given to those (parts) of greater importance and especially to those to be sung by the priest or the deacon or the lector, with the people responding, or by the priest and people together." More detail

Liturgical Song

The universal beauty that invites the involvement of the entire assembly in prayer ...

  1. is intimately linked with liturgical action
  2. expresses Church faith and teaching
  3. is sound in form
  4. is true art
  5. fully adheres to the text it presents
  6. synchronises with the intended time and movement in the liturgy
  7. reflects the gestures of the rite
  8. is adapted and inculturated
  9. involves the entire assembly
  10. offends no one, and is deserving of universal esteem

Priority for SingingThe Responsorial Psalm

The psalms are both deeply personal and communal, drawing the assembled body into the work of the Trinity in the liturgy. Singing the psalms, the act of breathing the Spirit within us into the Word received in scripture, is a surrendering of ourselves to the will of the Father.

Hearing the psalms sung, and associating melody, harmony and rhythm with the word of God, helps make this word a part of us – part of our memories and part of our way of life. And in singing the psalm responses, we are drawn into the experience of the joy, the suffering and the glory of the mystery celebrated in the Eucharist. In this way, Christ transforms our hearts and minds.

What the General Instruction of the Roman Missal (GIRM) Says

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"After the First Reading comes the responsorial Psalm, which is an integral part of the Liturgy of the Word and holds great liturgical and pastoral importance, because it fosters meditation on the word of God.

The responsorial Psalm should correspond to each reading and should, as a rule, be taken from the Lectionary.

It is preferable that the responsorial Psalm be sung, at least as far as the people’s response is concerned. Hence, the psalmist, or the cantor of the Psalm, sings the verses of the Psalm from the ambo or another suitable place. The entire congregation remains seated and listens but, as a rule, takes part by singing the response, except when the Psalm is sung straight through without a response. In order, however, that the people may be able to sing the Psalm response more readily, texts of some responses and psalms have been chosen for the various seasons of the year or for the various categories of Saints. These may be used in place of the text corresponding to the reading whenever the Psalm is sung. If the Psalm cannot be sung, then it should be recited in such a way that it is particularly suited to fostering meditation on the word of God.

The following may also be sung in place of the Psalm assigned in the Lectionary: either the responsorial gradual from the Graduale Romanum, or the responsorial Psalm or the Alleluia Psalm from the Graduale Simplex, in the form described in these books" (GIRM, 61).

What the Lectionary for Mass Introduction (LMI) Says

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"The responsorial psalm, also called the gradual, has great liturgical and pastoral significance
because it is ‘an integral part of the liturgy of the word.’ Accordingly, the people must be continually instructed on the way to perceive the word of God speaking in the psalms and to turn these psalms into the prayer of the Church. This, of course, ‘will be achieved more readily if a deeper understanding of the psalms, in the meaning in which they are used in the liturgy, is more diligently promoted among the clergy and communicated to all the faithful by means of appropriate catechesis.’

A brief remark may be helpful about the choice of the psalm and response as well as their correspondence to the readings.

As a rule the responsorial psalm should be sung. There are two established ways of singing the psalm after the first reading: responsorially and directly. In responsorial singing, which, as far as possible, is to be given preference, the psalmist or cantor of the psalm sings the psalm verse and the whole congregation joins in by singing the response, In direct singing of the psalm there is no intervening response by the community; either the psalmist or cantor of the psalm sings the psalm alone as the community listens or else all sing it together.

The singing of the psalm, or even of the response alone, is a great help toward understanding and meditating on the psalm’s spiritual meaning.

To foster the congregation’s singing, every means available in the various cultures is to be employed. In particular use is to be made of all the relevant options provided in the Order of Readings for Mass regarding responses corresponding to the different liturgical seasons,

When not sung, the psalm after the reading is to be recited in a manner conducive to meditation on the word of God.

The responsorial psalm is sung or recited by the psalmist or cantor at the lectern" (LMI, 19-22).

What the Directory for Masses with Children (DMC) Says

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"Verses of psalms, carefully selected in accord with the understanding of children, or singing in the form of psalmody or the Alleluia with a simple verse should be sung between the readings. The children should always have a part in this singing, but sometimes a reflective silence may be substituted for the singing" (DMC, 46).

What the Instruction on Music, Musicam Sacram (MS) Says

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"It is desirable that the assembly of the faithful should participate in the songs of the Proper as much as possible, especially through simple responses and other suitable settings.

The song after the lessons, be it in the form of gradual or responsorial psalm, has a special importance among the songs of the Proper. By its very nature, it forms part of the liturgy, of the Word. It should be performed with all seated and listening to it — and, even taking part, if possible" (MS, 33).